Adrav
2004-06-11 20:48:49 UTC
http://tv.zap2it.com/tveditorial/tve_main/1,1002,274|88479|1|,00.html
Women of 'Deadwood' Demand Equal Time
Zap2It
June 8, 2004
By John Crook
When HBO's "Deadwood," which wraps its first season Sunday, June 13,
premiered in March, it was probably inevitable that the male characters --
which included a hard-drinking Wild Bill Hickok (Keith Carradine) and a
satanic town boss named Al Swearengen (Ian McShane) -- held center stage
with their unpredictable eruptions of violence and their
good-grief-did-he-just-say-what-I-think-he-said profanity, which could
have been culled from the latest dialogue track of "The Sopranos."
As the Western drama has unfolded, however, series creator David Milch has
widened his scope to encompass the show's female characters as well. In
fact, Milch's central female trinity - fragile widow Alma Garret (Molly
Parker), resourceful prostitute Trixie (Paula Malcomson) and raucous,
self-loathing "Calamity" Jane Cannary (Robin Weigert) -- has become so
multifaceted and fascinating that they are reason in themselves for tuning
into HBO's latest series smash.
"The women have emerged more strongly as we got deeper into the stories,"
says Malcomson, who hails from Belfast, Northern Ireland. "At first,
frankly, we were a bit worried about how to give the women their voices,
because most of their needs were tied somehow to the men. But that's just
the way it was back then."
Parker, who has built a successful career mainly in independent films,
says she is delighted to be a part of "Deadwood," although she definitely
had initial qualms about playing a character who was drugged and almost
totally recessive in her early scenes.
"I haven't done much television before this, so I was used to looking at a
script and getting a clear idea of my character's 'journey' from start to
finish," she explains. "Obviously, I didn't have that here, but I sat down
with David Milch and he started talking -- he's a great talker, a
wonderful storyteller -- and he told me about where Alma came from and
where she might be going."
When viewers first met Alma, she was arriving in Deadwood as the recent
bride of wealthy Brom Garret (Timothy Omundson, "Judging Amy"), an Eastern
dilettante seeking a gold claim. Despite her fine clothing and well-bred
manner, however, Alma was a junkie.
"I read 'The Age of Innocence' again to understand the world Alma came
from," Parker says. "She has spent her life doing what she is supposed to
do for her family, for her father, for society at large. She had become
addicted to laudanum, which was an opiate they gave to women for hysteria
-- because God forbid [sic] women became hysterical."
In addition to her reading about the period, Parker said she got vivid
insight into Alma's constricted world via the painstakingly re-created
period costumes Katherine Jane Bryant has designed for the series.
"I'm basically covered up from my feet all the way to my chin, and those
corsets. They are so constricting, I had to learn how to breathe
differently while wearing them," Parker says. "It's almost shocking how
much that affects, because you can't really draw a full breath, so you
find yourself speaking in a soft, measured way, and shouting, of course,
is out of the question."
Costumes are the least of Malcomson's concerns. As Trixie, the prostitute
who becomes Alma's unlikely ally and protector after the latter's husband
is murdered by claim-jumpers, the actress spends most of her scenes in
period undies - or less, on occasion.
Still, there were other challenges involved in playing the woman whose
past is perhaps the most ambiguous of any character on the show.
"Playing Trixie is like working with pieces of a puzzle," Malcomson laughs
good-naturedly. "It's not like doing a movie, where you can create a solid
back story. Anything can happen on a weekly TV show. I might imagine that
Trixie had 14 brothers and sisters and they're all dead, then suddenly
they show up in an episode. You never know.
"What I try to do with her is focus on her needs of the moment at any
given time, make them the most important thing: her need to survive, to
deal with her immediate life there."
Like Parker, Malcomson turned to Milch for reassurance that her character
wasn't going to be just sexy window dressing while the menfolk carried the
drama.
"When I was preparing for the role, I asked Milch if there was anything in
particularly he'd like me to read, because he's very literary. I figured
I'd read up on prostitutes of that era, but he said, 'No, just the
opposite. Just read about faith.'
"Trixie is capable of a lot. You can't pin her down, and I think that's
true of most people in real life: As you get to know them, you realize
they aren't a particular type, they're very complicated. It's really a
testament to David Milch, how well he captures that in his writing."
Weigert, a stage veteran, found plenty of reading material on Calamity
Jane, but quickly noticed a big problem.
"No one can agree on her, it seems, because everything I read contradicted
everything else I had read," Weigert says. "I think it's safe to say she
was an independent spirit who was completely self-reliant. She's living in
what essentially is a very rough, if not all-male, environment, so she
uses bluster and profanity almost like armor.
"I gratefully rely on David Milch's wonderful writing to show me the way,
but Jane Alexander (who played the same character in the 1984 TV movie
"Calamity Jane") also gave me some good advice while we were filming. I
would e-mail her. She's become a good friend, which makes me very happy."
Like her castmates, however, Weigert says she gets some of her keenest
inspiration simply from the world the HBO designers have re-created on the
show's California locations.
"Even when I'm not doing a scene, I find myself just walking around and
looking at this place, with the mud and the horses and the smells and the
costumes," Weigert says. "I know I'm very lucky to be a part of this, and
I'm already looking forward to starting work on the second season."
Women of 'Deadwood' Demand Equal Time
Zap2It
June 8, 2004
By John Crook
When HBO's "Deadwood," which wraps its first season Sunday, June 13,
premiered in March, it was probably inevitable that the male characters --
which included a hard-drinking Wild Bill Hickok (Keith Carradine) and a
satanic town boss named Al Swearengen (Ian McShane) -- held center stage
with their unpredictable eruptions of violence and their
good-grief-did-he-just-say-what-I-think-he-said profanity, which could
have been culled from the latest dialogue track of "The Sopranos."
As the Western drama has unfolded, however, series creator David Milch has
widened his scope to encompass the show's female characters as well. In
fact, Milch's central female trinity - fragile widow Alma Garret (Molly
Parker), resourceful prostitute Trixie (Paula Malcomson) and raucous,
self-loathing "Calamity" Jane Cannary (Robin Weigert) -- has become so
multifaceted and fascinating that they are reason in themselves for tuning
into HBO's latest series smash.
"The women have emerged more strongly as we got deeper into the stories,"
says Malcomson, who hails from Belfast, Northern Ireland. "At first,
frankly, we were a bit worried about how to give the women their voices,
because most of their needs were tied somehow to the men. But that's just
the way it was back then."
Parker, who has built a successful career mainly in independent films,
says she is delighted to be a part of "Deadwood," although she definitely
had initial qualms about playing a character who was drugged and almost
totally recessive in her early scenes.
"I haven't done much television before this, so I was used to looking at a
script and getting a clear idea of my character's 'journey' from start to
finish," she explains. "Obviously, I didn't have that here, but I sat down
with David Milch and he started talking -- he's a great talker, a
wonderful storyteller -- and he told me about where Alma came from and
where she might be going."
When viewers first met Alma, she was arriving in Deadwood as the recent
bride of wealthy Brom Garret (Timothy Omundson, "Judging Amy"), an Eastern
dilettante seeking a gold claim. Despite her fine clothing and well-bred
manner, however, Alma was a junkie.
"I read 'The Age of Innocence' again to understand the world Alma came
from," Parker says. "She has spent her life doing what she is supposed to
do for her family, for her father, for society at large. She had become
addicted to laudanum, which was an opiate they gave to women for hysteria
-- because God forbid [sic] women became hysterical."
In addition to her reading about the period, Parker said she got vivid
insight into Alma's constricted world via the painstakingly re-created
period costumes Katherine Jane Bryant has designed for the series.
"I'm basically covered up from my feet all the way to my chin, and those
corsets. They are so constricting, I had to learn how to breathe
differently while wearing them," Parker says. "It's almost shocking how
much that affects, because you can't really draw a full breath, so you
find yourself speaking in a soft, measured way, and shouting, of course,
is out of the question."
Costumes are the least of Malcomson's concerns. As Trixie, the prostitute
who becomes Alma's unlikely ally and protector after the latter's husband
is murdered by claim-jumpers, the actress spends most of her scenes in
period undies - or less, on occasion.
Still, there were other challenges involved in playing the woman whose
past is perhaps the most ambiguous of any character on the show.
"Playing Trixie is like working with pieces of a puzzle," Malcomson laughs
good-naturedly. "It's not like doing a movie, where you can create a solid
back story. Anything can happen on a weekly TV show. I might imagine that
Trixie had 14 brothers and sisters and they're all dead, then suddenly
they show up in an episode. You never know.
"What I try to do with her is focus on her needs of the moment at any
given time, make them the most important thing: her need to survive, to
deal with her immediate life there."
Like Parker, Malcomson turned to Milch for reassurance that her character
wasn't going to be just sexy window dressing while the menfolk carried the
drama.
"When I was preparing for the role, I asked Milch if there was anything in
particularly he'd like me to read, because he's very literary. I figured
I'd read up on prostitutes of that era, but he said, 'No, just the
opposite. Just read about faith.'
"Trixie is capable of a lot. You can't pin her down, and I think that's
true of most people in real life: As you get to know them, you realize
they aren't a particular type, they're very complicated. It's really a
testament to David Milch, how well he captures that in his writing."
Weigert, a stage veteran, found plenty of reading material on Calamity
Jane, but quickly noticed a big problem.
"No one can agree on her, it seems, because everything I read contradicted
everything else I had read," Weigert says. "I think it's safe to say she
was an independent spirit who was completely self-reliant. She's living in
what essentially is a very rough, if not all-male, environment, so she
uses bluster and profanity almost like armor.
"I gratefully rely on David Milch's wonderful writing to show me the way,
but Jane Alexander (who played the same character in the 1984 TV movie
"Calamity Jane") also gave me some good advice while we were filming. I
would e-mail her. She's become a good friend, which makes me very happy."
Like her castmates, however, Weigert says she gets some of her keenest
inspiration simply from the world the HBO designers have re-created on the
show's California locations.
"Even when I'm not doing a scene, I find myself just walking around and
looking at this place, with the mud and the horses and the smells and the
costumes," Weigert says. "I know I'm very lucky to be a part of this, and
I'm already looking forward to starting work on the second season."